Tuesday Nights In 1980
By Molly Prentiss
336 pages
Grimy, dirty, dingy and ripe with art world skullduggery, Tuesday Nights in 1980 is a love letter
to Manhattan at the dawn of an adventurous decade. Set before
the Big Apple's facelift of the late 20th century (there’s no pristine Times Square or gentrified Greenwich Village) the novel is set at a time when an vibrant art scene in full swing, helmed by folks like Andy Warhol.
By setting her debut novel in
this era Prentiss has the luxury of utilizing the brash inventiveness of New
York’s art world as character itself. It’s a gossipy,
creative and cutthroat world that devours the weak. It is against this backdrop
that she introduces three characters, an art critic, a painter from Argentina
who has come to America to escape his past, and a small town girl making her
way in a big new world.
Each of her protagonists is flawed in some way. By using
an artist, a critic and a newbie who becomes an artistic muse Prentiss,
explores a time when Soho ‘s art scene was still a subversive movement where
creativity was tenaciously born amidst the muck of chaos. This allows each of
her creations to face challenges in finding success and acceptance while
simultaneously forcing them into develop their own rapport between life and art.
Manhattan itself it all of
sleazy glory is a character unto itself. It’s day-to-day grind can both stifle
and stimulate creativity.
New York's cultural scenes in art, music, film and theater are
smoldering underground, waiting to burst to the surface by the end of the new
decade and reshape the city itself as the artistic capital of the universe.
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