The story of the two friends continues, with a shift in focus as Elena (Lenu), the one who leaves, gets a university education in Pisa, marries a professor and settles in Florence. Along the way she publishes a novel highlighting some of the episodes of sexual violence referred to in the earlier novels. The novel, in a changing Italy now willing to grapple with these issues, is a wild success, changing Elena's life forever.
Meanwhile Lila, the one who stays, (stays in Naples, stays in the working class, etc.) leaves her husband Stefano and sets up a more peaceful household with her small son and Enzo, a childhood friend of both of the women.
The focus in this novel is on Elena and her struggles as a young mother and emerging artist, and it drags a bit as a result. Lila is the magnetic, strange, self-destructive heart of the story, and I found I couldn't wait to get back to her story. Happily, the fourth and final novel delivers plenty of Lila, as the two women's lives become deeply enmeshed once again.
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