The 1990 heist at the Isabella Stewart Gardner Museum in
Boston is one of the great unsolved art crimes.
This novel is an alternative history of what might have happened to one
of the paintings (also fictional) involved.
Claire Roth is a talented young painter who currently works as a copyist
for Repro producing skilled copies of famous paintings. She is asked by successful gallery owner Aiden
Markel to produce a copy of one of the stolen paintings. The reward won’t by just money, which she
desperately needs, but an opportunity to show her work at his important
gallery. A Faustian bargain. But is the painting she is using as her guide
a copy of the Degas, or is it the stolen original, and if so, how did Markel
come by it? There’s more to the background
story of Claire and "forgery," which led to the suicide a few years earlier of her
lover. And Claire and Aiden seem to be falling
in love. The art scene is
well-described; the details of how a successful forged painting is made are
fascinating; the imaginary correspondence between Isabella Gardner and her
niece is well-done; and the dénouement is clever. But I was troubled by Claire’s lack of any
real moral compass. 360 pp.
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