Unwieldy Creatures

 Unwieldy Creatures by Addie Brook Tsai (2022) 296 pages

"Unwieldy Creatures, a biracial, queer, gender-swapped retelling of Mary Shelley's classic novel Frankenstein, follows the story of three beings who all navigate life from the margins." So starts the synopsis that caught my interest. I love the cultural influence Mary Shelley's Frankenstein has had, but it was a novel I didn't finish in high school. I made slow progress through this retelling. The style and method of three people telling us the story is very similar to how Shelley's novel is presented. Dr. Z's dangerous ambition takes up the most pages. Plum, the protege, commands considerably fewer pages. And Ash, the creature, only shares their voice briefly toward the end. Tsai includes some bilingualism with Mandarin characters in Plum's story, so I had to flip to the end of the chapters for translation footnotes. The author also lifts some sentences straight from the original Frankenstein novel. The story is set now, or in the near future, so the science is more up-to-date involving in vitro gestation. However, there are still plot holes that didn't totally make sense to me. I'm glad this version exists. The rejection faced by some queer people from their families is a theme that fits well in this "creature feature" framework. Themes of estranged parents and children still resonate in this context. Tsai writes like the Romantic writers of Mary Shelley's era, and this is the part I struggled with the most. There is a lack of energy moving the plot along in the later part of this book.

A selection of November graphic novels

Briar Vol. 1: Sleep No More by Christopher Cantwell with art by German Garcia (2023) 128 pages

Reading for #hooplachallenge "Beyond the Storybook" theme this month. Clearly leads right into volume 2, but I didn't love it enough to continue. Maybe later. Chapter one "Nothing Sharp in Sight" has the lovely transition from soft storybook telling of Sleeping Beauty leading to dystopian fantasy future. We even get a rodent of unusual size! The beginning of Briar Rose's journey is handled well. Bloody and scatological, Cantwell's use of language is stilted. Chapter two "The Witch Which Witches Not" reveals the evil that pursues Briar Rose and her growing band of misfits. Chapter three "Of Villainous, Cruel Gnomes" starts with a flashback for a new character and continues with the same sort of dark adventure. Chapter four "Adra Adrata Adracta" brings the threads together pretty well and reveals a surprise that makes sense going back to the beginning. I like the band of misfits and visually I like the series. I do want to find out what happens next, so I probably will pick up volume 2 at some point.

Ruins by Peter Kuper (2015) 328 pages

"Samantha and George are a couple heading towards a sabbatical year in the quaint Mexican town of Oaxaca. For Samantha, it is the opportunity to revisit her past. For George, it is an unsettling step into the unknown." I loved seeing the butterfly's journey. I loved getting to know the city of Oaxaca (wah-ha-ka) and surrounding areas of Mexico. Many layers to the relationship story, but a troubled one.

Lackadaisy: Volume 1 by Tracy J. Butler (2009) 96 pages

Tracy J. Butler is a local St. Louis artist. This is set in St. Louis in 1927. Prohibition has sparked the engine of organized crime. The story is full of 1920s slang and references. Good sense of humor. Good character development of anthropomorphized cats in spiffy outfits.

Once Upon a Time Machine edited by Andrew Carl, written and illustrated by many artists (2012) 431 pages

Anthology of many international comic artists adapting fairy tales from around the world into futuristic tales. There seems to be a large number of artists from Philadelphia invited to contribute. It is a mix of more or less successful adaptations. Some artists have provided just a single page illustration, but it is the other short adaptations that make it worth your while. I'll highlight a few that I thought were clever and unique, but you may be more strongly drawn to others. I thought "Pinocchio or The Stars Are Not Wanted Now" had a nice twist on the lesson of telling the truth or telling lies. "The Puppet-Show Man or No Strings" is based on a story I'm not familiar with, but it drew me in with its grungy art and 'be careful what you wish' lesson. "The Shepherd and the Weaver Girl" feels epic and mythical. This adaptation of the Chinese myth has a clever way of drawing on the old and imagining it in the future. I also liked the nanotechnology dreamed up in the adaptation of "Rikki-Tikki-Tavi." The adaptation of "The Ugly Duckling or The Ugly Part" changes the ingredients of the story quite a bit, but achieves a better moral in the end. I really enjoyed "Vasilissa the Beautiful" based on a Slavic Baba Yaga tale. And "The Gold Piece or A Destiny Earned" was sweet and meaningful.

Washington's Gay General: The Legends and Loves of Baron von Steuben by Josh Trujillo with art by Levi Hastings (2023) 192 pages

"A graphic novel biography of Baron von Steuben, the soldier, immigrant, and flamboyant homosexual who influenced the course of US history during the Revolutionary War despite being omitted from our textbooks." I love learning about history and a person's life in this way. Well illustrated and moves along fairly quickly. Some memoir scenes and other brief introductions of queer people in history are sprinkled in too. 

Ash's Cabin by Jen Wang (2024) 320 pages

I grew up enjoying Illustrated Classics versions of Swiss Family Robinson and Robinson Crusoe. I also loved imagining the survival stories in Island of the Blue Dolphins and Incident at Hawk's Hill. I loved this story of nonbinary Ash challenging themselves to find their grandpa's hidden cabin in a National Forest in California. It feels very real as Ash studies and prepares. This is not a spur of the moment decision. Learning to survive with their dog, Chase, is an experience in which they learn from their mistakes and find what is most important in their life. Great art and structured like a journal.

The Stoneshore Register by G. Willow Wilson with art by M.K. Perker (2025) 128 pages

I like the lead character, Fadumo, a refugee and stranger to this Pacific Northwest town. The townspeople are fairly well drawn too, but we don't get to know them very deeply. I like the exploration of the uncanny and weird. I didn't enjoy chapter 4 as much. Chapter 5 nails the real message of the graphic novel when the immigration agents come looking for Fadumo. G. Willow Wilson's writing continues to be enjoyable.

Aristotle: A Graphic Biography by Tassos Apostolidis with art by Alecos Papadatos (2024) 216 pages

Nice framing device with a colleague of Aristotle teaching his students about Aristotle's life and thoughts. I like the basic color scheme. Some lengthy text for historical exposition is mixed with occasional humor and fairly detailed summaries of Aristotle's major philosophical concepts. I like the peek into daily life around Greece of the time and how Aristotle's relationships with family and friends is portrayed. The book does a good job of making him more than just the figure behind these abstract ethical/scientific concepts. He was real and enjoyed life.

Another selection of graphic novels read in May

My Time Machine by Carol Lay (2024) 168 pages

IN A WORLD, where H.G. Wells' book is nonfiction and the 1960 movie is a documentary, "Carol Lay's My Time Machine is serious and funny, a sly cautionary political satire." It was a fairly quick read that I read in one day. I loved the pop culture sci-fi references as the author's stand-in and her engineer ex discuss theories about time travel and build a working time machine. Survival and exploration and a concern for our future are all reasonably realistic. It is a fun adventure with solid art.

Laika by Nick Abadzis (2007) 205 pages

This is only around 200 pages, but it is jam packed with story panels. Unless you are cold-hearted, you will cry. It is such a sad story. There are moments when Kudryavka "Little Curly" later renamed Laika "Barker" is treated with kindness, but also neglect as if expendable. We follow Chief Designer Korolev of the space program and Yelena the dog handler hired by the medical department as well. Yelena truly cares, Korolev is ambitious to prove Soviet technological supremacy. Kudryavka's voice and inner imagination is also brought forward. She just wants to be free and in a loving home. I finished it while cuddling with one of my cats with kleenex close by.

On a Sunbeam by Tillie Walden (2018) 537 pages

This combines coming of age, a found queer family, and two timelines. It is difficult to describe, but I do love sci-fi and fantasy being mixed. Sunbeam is the name of the fish space ship that Mia's found family flies to restoration jobs. We meet Mia post-high school starting a new job with this crew that does building restorations through outer space. Five years earlier, we see Mia's experiences in a girl's boarding school where she befriends Grace. Through games, work and learning, and through mischief, pain and challenging relationships, Mia discovers herself. Finding out how past and present converge feels so satisfying. I love the art! The limited color scheme works and even delivers some beautiful nature shots and awe inspiring galaxies and nebulas. Floating buildings and creatures that take on gaseous forms are magical too. As the primary color of different sections change it does sometimes take a moment to recognize who is who, since some of the main characters have similar haircuts. But it is not a problem often. The mystery of where Grace comes from and the serious trouble Mia goes to to reunite with her makes for a heartwarming conclusion.

Fevered Star

 

Fevered Star by Rebecca Roanhorse (2022) 384 pages

I've been excited to continue this fantasy series, which Ms. Roanhorse calls Between Earth and Sky. The land, the Meridian, and the people and magic are based on Mesoamerican culture before Europeans arrived. It has been two years since I read the first book of the planned trilogy, so it took a little while to reacquaint myself with the main characters and where the first book left off. I love the world building and exploring it with the old and new characters. I love that even though there is a cosmic battle between the dark and the light most characters are not one-dimensionally evil or good. There are faults and heroic aspects of all the main characters. The author expertly builds tension through the suspense of courtly intrigue with multiple tribes of people vying for power. Several storylines are left open-ended to be resolved in the third book. However, this one still feels satisfying as the protagonists have grown and changed, and recommitted themselves to new goals that will change the order of the Meridian.

The Story of Silence

The Story of Silence by Alex Myers, 451 pages

Between a ridiculous law decreeing that only male children can inherit and a greedy father who can't stand to see his precarious claim to Cornwall disappear, Silence is raised as a boy despite being born female. For the most part, he grows up far from prying eyes, but still longing to become a knight and uphold the chivalrous ideals of knighthood. However, despite his father's attempt to block his knighthood, Silence takes a roundabout path that includes time as a traveling minstrel, participation in tournaments (as both a singer and a swordsman), and a quest to find Merlin.

While this reads very much like a traditional Arthurian tale, the Nature vs. Nurture element plays a large role in Silence's story as they sort out who they are. It's a particularly intriguing take, in that the dual nature of Silence is forced by their parents — and given that the story itself is rooted in an 800-year-old poem called Silence, I was particularly intrigued by this. I enjoyed what Myers did with the story, though I have a few questions about the ending. If anyone else reads this, please let me know so we can chat!