POPS

 Pops: A Life of Louis Armstrong y Terry Teachout, 496 pgs. ©2010

Birth of an American legend. I picked this book in part because I, like many others, wrongly believed Armstrong's birth to fall on the 4th of July--even Louis himself believed this was his birthday. But he was actually born on August 4th. Teachout does a great job dispelling some of the other myths that arose during Armstrong's meteoric rise to fame during the birth of the Jazz age (he also was not the first person to invent scatting). For many players and aficionados alike, he's largely credited with solidifying the genre in the public imagination and making it synonymous with baseball and apple pie and Teachout shows how close the country came to missing out entirely on Armstrong's work. Born in poverty in New Orleans, he was picked-up and thrown in jail as a youngster for firing a gun in the street. From there, he was sent to a orphanage where a teacher made him play cornet. He cut his teeth learning the ins and outs of blues and rags, playing in brothels and gentlemen clubs and became so in demand that he went north on the riverboats to play with small combos, eventually making his way to Chicago to play with his trumpeter hero, King Oliver. Teachout documents the recording sessions and other musicians that he spent time with, detailing his strained relationship with his white manager Joe Glaser, who may have been funneling some of his money to the mob. Armstrong survives the Great Depression to see younger players helm the birth of the Swing and Bebop eras, in which he had little respect. In fact, many younger black players accused Armstrong of being an Uncle Tom and playing only to white audiences. But the real truth is that Armstrong was a musician at heart--he didn't care who heard him, as long as he could play music. His style was revolutionary and his technical feats laid the groundworks for jazz legends to come.