The novels of Andriana Trigiani are a guilty pleasure. It’s hard to look like you're
reading serious literary fiction when the dust jacket is covered in pink
flowers, has a script font, and features a model wearing a Balenciaga gown from
the cover of a 1951 Harper’s Bazaar. But
Trigiani really is a good writer with a vivid eye for color, fashion, and a
wicked appreciation of the foibles of her characters. Her plots, usually romantic, draw on her own
Italian family and heritage. You feel
as if you have been invited to dinner at a big, boisterous table with wonderful
food. This outing, set just after World
War II, was more formulaic than some of her earlier work, and the plot depends too
much on a silly impersonation of an Italian ambassador. Nicky Castone is an
orphan cousin raised by one branch of the big Palazzini family. He’s been engaged through the war years and
beyond to Peachy DePIno, who isn’t getting any younger and is growing impatient
for her Big Italian Wedding. Nicky is
somewhat conflicted about his choice of a bride and taken aback by the
elaborate preparations. He drives a cab
by day and moonlights as a prompter and jack-or-all-trades at a
struggling old theater run by Calla Borelli, which was founded by her aging
father. There he catches the acting bug
when he is unexpectedly thrust into the spotlight in the final act of Twelfth Night. Peachy is not keen. Several other candidates for Nicky’s
affections are presented – will he end up with any of them? Will he end up with the right one? Of course he will. 532 pp.
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