A Divided Duty

A Divided Duty by Seanan McGuire, 400 pages.

 

Toby Daye is finding a new normal in her makeshift family after her baby was born, a normal which may be upended as Rayseline Torquill original term of offense runs up and her mother tries desperately to pull her from October's home (where she has friends and a therapist) to her own domain. Raysel does in fact find herself kidnapped, and Toby has to return to the dark shadows of her past to get her back.

 

This is the 20th book in the October Daye series, and honestly it was mostly fine. I feel like it really needed another pass with the editors. Most of the book felt like rising action, and the payoff felt underwhelming, leaving the pacing sort of lackluster. It's not a terrible book, but if this was the quality of the earlier entries I probably never would have gotten into the series. 

Back After This

 

Back After This by Linda Holmes (2025) 304 pages

Cecily is a producer of audio podcasts for a company that sees its business model failing. Her boss, Toby, sees an opportunity to bring out a series that will help right the sinking ship. Cecily hasn't had a relationship since her last boyfriend dumped her, taking their shared podcast with him. She is being asked to work with relationship coach Eliza Cassidy on a series that will have Eliza setting Cecily up with 20 dates in order to find her a husband. Advertisers are lined up to support this program. It is not what Cecily really wants to do, but she agrees because she will be hosting, it will help save the job of one of her colleagues, and Toby has agreed to let her make a pilot for her own project after this is done.

As the series gets underway, Cecily runs into a guy she doesn't know, and helps him corral a Great Dane who had gotten away from his owner. Later she sees this guy, Will, again and again. He has had his own relationship woes, but he's funny and thoughtful and she is drawn to him, but knows that she needs to take the dating project seriously.

The characterizations are good and the dialogue feels real and is often funny. Readers get the inside scoop on audio project details from the author, who works for NPR. I liked the novel a lot, just as I liked a previous novel of Holmes', Evvie Drake Starts Over.

The Things We Never Say

The Things We Never Say by Elizabeth Strout (2026), 224 pages

I am not sure what to say about this book. I see what Strout was going for; Artie a middle-aged teacher struggles with his life, current political conditions, and what the future entails, but feel she really missed the mark. The book was almost painful to read as it clunkily tried to tackle big issues without garnering a whole lot of compassion and, really, any interest in the characters. I suspect the book would have been more compelling if Strout had written more and deep-dived some of the story lines. As is, it reads as a person trying to get their anger at the current state of the world out too fast and coming across frustrated and malcontent. I would pass on this if I was you.

I Hope This Email Finds You in Hell

 I Hope This Email Finds You in Hell by Mackenzie Reed, 352 pages. 

Brie has felt like a ghost of herself since her parents' deaths, living a sort of sad life as the receptionist for an insurance company, watching reality TV with her favorite coworker (and only friend), and nursing a small crush on her hot boss. But when she sees said boss performing an exorcism on a coworker after work hours, right before her friend and a rash of other women vanish, she forces her way into the rescue mission to hell. 

I'm afraid I wasn't impressed by this one. It's so aggressively by-the-numbers that it felt almost mass produced. Perhaps it's because I'm a little particular about my romance novels, but I found myself rolling my eyes pretty constantly, and some neat set pieces couldn't make up for a weak plot and prose that was very fine. Maybe read this if you want the most expected of romances, but honestly there are better things out there.

Serious Music by Percival Everett

Serious music by Percival Everett, 304 pages. This will be published on March 2, 2027.

Arthur is an African American music major and aspiring composer when circumstances lead him and his friends to serve in WWI. He returns to New York and Washington DC, where he uses his musical talents to fight racial injustice in unvonventional ways. This is standard Percival Everett, with plenty of "what might have been" alternate history and satirized people and institutions. It's not necessary to understand music theory to enjoy the book, but an appreciation for it definitely helps us understand Arthur and how he sees the world.

This was pretty good, at times beautifully written. The first third or so of the book is one of the best WWI narratives I've read (which admiitedly is not many). I'm definitely glad that I read it, though I found it really similar James and some other things I've read. If you like this one or James, I recommend a Everett's collection of western short stories Half and Inch of Water, which is sadly overlooked.

Japanese Gothic

Japanese Gothic by Kylie Lee Baker, 352 pages

In one house, 150 years apart, two young adults are living through their own horror stories. In 1877, Sen is a young female samurai, hiding from the imperial forces when her father takes a monstrous turn, placing her between the danger of her father and the soldiers, either one of whom could kill her whole family. In 2026, Lee has retreated to the same house with no recollection of why or how he killed his roommate, but sure that his father's new home will provide sanctuary from investigators half a world away. When the two meet, they discover that they may be able to help each other, whether it's through searching the archives to find out how and when Sen's family died or helping Lee sort through his untrustworthy memory.

The idea of this book is really interesting, and I thought it played out well. It was definitely atmospheric and creepy at times, and there was true horror as the falsehoods were stripped away. I don't know that it's the best example of the horror genre, as the plot beats were a bit too predictable, but it was definitely an enjoyable read.

The 10:12

The 10:12 by Anna Maloney, 320 pages

Retired art professor Claire was on the titular train between Manchester and London when it was hijacked by a group of armed men. When she encounters one of the hijackers near the restroom, she's faced with a choice: stand by passively or fight back. Claire chose to fight, and for the first half of the book, we have a fast-paced thriller akin to Speed in a train. But once the train reaches London, the pace slows down as Claire navigates the legal proceedings afterward in which she is seen as both a hero and a villain, depending on who's talking. It's an interesting way of presenting a hijack story, and one that I'm not sure I fully enjoyed, especially with the rapid slowdown. Meh.

This book will be published Oct. 20, 2026.

Fallow

 Fallow by Sarah Anderson, 336 pages

Natalie hates working, so when a nurse at the blood bank mentions an experimental job opportunity to be a corporate surrogate with large compensation, she is thrilled. The contract is "simple", Natalie must deliver 7 babies in 10 years for high level women at The Company, so they can have the benefits of motherhood without pregnancy interrupting their work. The benefits seem endless, as Natalie gets to live in a luxury condo with a chef, a housekeeper, a personal trainer and premium healthcare, all provided by the company. In addition, she receives bonus compensation for certain things, like having a natural birth. Between pregnancies, she enjoys her time off and spends the money she earns on things like luxury coats and spa trips. Natalie finally likes working. During her last pregnancy, almost at the finish line of her contract, an unexpected employee issue arises, and everything falls apart. There is really not much else I can say without spoiling it. 

This book is divided into three parts, and I was so invested in the first two parts. The third part is where things started to put me off a bit, as it takes a strange turn and it feels like a completely different book and a completely different main character. The third part was still engaging, and I would still recommend this book, just not what I expected. 

Cultish

 

Cultish: The Language of Fanaticism by Amanda Montell, 310 pages

When he was a young man, Amanda Montell's father escaped from a cult. Growing up hearing his stories instilled in her an above average interest in cults, an interest she channeled into research on what makes a cult, where they draw their power, and what kinds of things unite them. What she found at the key to manufacturing the kind of intense communities and us-vs-them attitudes common in cults is language. She explores not only the kinds of huge and dangerous cults people think of when they hear the word (Jonestown, Heaven's Gate, Scientology, etc), but also the much more normalized organizations that use the exact same tricks of language (MLM schemes, "cult" fitness studies, Instagram spiritualists), giving a very clear picture of how exactly these linguistic traps work, and making it very obvious how easily anyone could fall into a cultish situation. 

I found this book insightful, thoroughly researched, and well-presented. I noted a few times when I was listening that some of the things she describes are also true of literally any close community, but Montell herself is also good at noticing such things and approaching them with nuance. The book is funny and consumable, while still treating serious tragedies with a sense of gravity and respect. I consider myself thoroughly impressed. 

 

Maus I

 

Maus: My Father Bleeds History by Art Spiegelman, 159 pages.

I read Spiegelman's famous graphic novel for the first time recently, and despite hearing plenty about it still found myself described. The comic weaves together his father's experiences during the holocaust with their troubled relationship in the present day, in a way that make both feel eminently personal. Spiegelman doesn't shy away from anyone's flaws, nor does he shy away from the multitude of small, everyday horrors of the holocaust. I'm glad I finally got around to reading this modern classic, and will definitely pick up the second half of the story soon.