BURNING DOWN THE HOUSE

Burning Down the House: Talking Heads and the New York Scene that Transformed Rock by Jonathan Gould, 512 pgs. © 2025

Is it art? Is it music? For the Talking Heads it's probably both. This is a great book for music lovers. Probably the definitive book for the band but also a nice dive into the late 70's New York art scene and how influential it was for musicians trying to escape the old ways of traditional rock and roll, which was starting to become so bland that it was sometimes referred to as 'conservative' rock and roll. I live for this kind of nonfiction--it's well written organized, packed with great research. You come away with a greater understanding of how tight-knit the NY art community was and how this band come out of nowhere to carve their own unique niche in the new wave landscape. Gould did very well in this endeavor, even without interviewing anyone in the group today. Gave me a greater appreciate of Stop Making Sense, one of the greatest live concert docs of all time. 

Open Up and Bleed

 Iggy Pop: Open Up and Bleed, by Paul Trynka pg. 371

Our first book in the Rhythm n Books book club was a David Bowie book, so it seemed only fitting to end our summer reading list with a bio about Bowie's estranged friend and sometime collaborater, the Godfather of Punk himself, Iggy Pop (aka Jim Osterberg). 

This was a pretty good deep dive into Iggy's entire life, starting out in his childhood in Detroit, Michigan where he was voted most likely to succeed in school--yes, Iggy Pop was a pretty straight-laced young person before he heard the call of rock n' roll music. As his first offical group, The Stooges, started picking-up steam, Iggy realized he could really wow audiences with his high energy, violent and weird performances. They got people talking and that got the word around about how they were a great group to see, eventually garnering the attention of the starman himself, Bowie, who took Iggy under his wing and tried to help him create a long lasting music career, which in some very real ways, he did. But the addition of drugs into his life made him more erratic and brazen, which over time only fueled the very legend he was trying to construct. The book even delves into his 80's period, when he was trying to clean-up his act. Incredible that as strung out and awful as Iggy could be, girlfriends, friends, radio execs, kept giving him chance after chance to succeed. In the 2000's with song royalties finally coming in, his band reformed, a growing back catalog, and a new generation of listeners, punk enthusiasts finally gave Iggy Pop his due as the Godfather of punk. Adults only. 

Major Labels: A History of Popular Music in Seven Genres

 

 

Major Labels: A History of Popular Music in Seven Genres, by Kelefa Sannah, 476 pgs

This is a fun read that tracks the kinds of labels we as a culture have used to describe music genres over the years. Sennah writes about some of the most popular genres of music in the 20th century and while I had hoped for more actual historical context regarding major record labels in general, the author does a good job of taking the reader through the myriad of subgenres and micro-categories that are created by music listeners simply by way of consuming music--proto punk, alternative, sippy cup country, trap--there's seemingly no end to the labels and descriptors we'll give to even the slightest deviations and evolutions in popular music. Sennah spent a majority of his writing career covering music for the New York Times in the 2000s before moving over to the New Yorker, and he seems to put away his harshest criticism here, offering a more nuanced voice for his first non-fiction work.  Interestingly, the Rock and R&B chapters are the longest, probably because they have the most history. Sanneh recognizes he's not perfect though as he describes his first takes on Taylor Swift and Beyoncé to be less than ideal, but he has since learned that criticism is more fluid art then anything else. Recommended for adults.

The First Collection of Criticism by a Living Female Rock Critic

The First Collection of Criticism by a Living Female Rock Critic, by Jessica Hopper, 426 pgs 

Much of the time, reading criticism of someone else's artistic work is pure drudgery, but this book is just the opposite. Jessica Hopper's glorious prose is witty, hyperbolic and aggressive--just like a rock critic should be. This book is essentially a collection of articles and interviews from the last twenty years of the author on a band circuit in Chicago, where she built her own career without any schooling or professional network--a monumental task for anyone in this field. She wrote her heart out for music, chronicling the rise of Chance the Rapper, lamenting the capitalist take-over of meaningful punk rock venues and applying feminist theory to outdated ideas of rock music--the lack of inclusion and tearing down the punk rock "boys" club--band by band. Particularly fascinating is her transcription of an interview with Jim Derogatis, a fellow music critic working at the Chicago Tribune, who details how his investigative work led to R. Kelly being prosecuted for sexual assault. Each essay is more or less a memoir of Hopper's fixation on music and how it helps her learn more about herself and ourselves. The great thing about reading music criticism is getting to listen to the music after you've read something--try to hear what Hopper is hearing--and in so doing, you become a more involved listener.